Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] review

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one in the most mentioned books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended being a trilogy. Did it really end just how you planned it from your beginning?

A: Very much so. While I did not know every detail, of course, the arc with the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the writing process.

Q: We understand you worked about the initial screenplay for the film to get according to The Hunger Games. What could be the biggest difference between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you're adapting a novel right into a two-hour movie you simply can't take everything with you. The story has being condensed to suit the brand new form. Then there's the question of methods best to take a magazine told inside the first person and provides tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss for any second and are privy to any or all of her thoughts so you'll need a method to dramatize her inner world and to produce it possible for other characters to exist outside her company. Finally, you have the challenge of the easiest way to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A large amount of situations are acceptable on the page that would not be on a screen. So how certain moments are depicted could eventually be inside director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed within the world you get lucky and be currently creating so fully that it is too difficult to consider new ideas?

A: I've a few seeds of ideas floating around within my head but--given much of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is once a year televised event through which one boy and something girl from each with the twelve districts is expected to participate inside a fight-to-the-death on live TV. Exactly what do you believe the appeal of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an desire for seeing who wins. The contestants are generally unknown, which means they are relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, in order that when they see real tragedy playing out on, say, the news, it doesn't have the impact it should.

Q: In case you were instructed to compete in the Hunger Games, what can you think that your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope could be to get hold of an rapier if there is one available. But the facts is I'd probably get in regards to a four in Training.

Q: What can you hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements of the books could be relevant of their own lives. And, if they're disturbing, what they might do about them.

Q: What were some of one's favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a single more Hunger Game, but on this occasion it is for world control. While it is really a clever twist on the original plot, it means that there is certainly less focus for the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by showing her despair both at those she feels accountable for killing and and also at her own motives and choices. This is surely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and also the victim of President Snow, who uses Peeta to make an endeavor to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to an unsure come back to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and a whole lot of confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each of the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.